Chaos u.k.

Interview
"Here's one from Flipside #85, 1993. It's long as fuck, but gives a good run-down of their history. About half way through the interview, I started getting real sick of typing the fucking thing, so I might have made a few errors. Sorry:"

After 13 years of sticking to their roots and not the latest trend in England, Chaos U.K. finally make it to the States to give us a dose of 100% two fingers in the air punk rock! The band were interviewed on May 18th, at Dogma Mundista house, by Thrashead and Katz.

Chaos: Hi! I'm Smedley, vocals.
Marvin: Baron von Munchausen, on bass.
Pete: Capt. Vimvivee, chest drummer.
Vic: V.D. Boiler, second guitar... (in a silly voice) ...and Gabba... (LAUGHTER)
Marvin: Calvin? It's Cal of Discharge... (MORE LAUGHTER)
Roadie: Are ya doing a sensible interview again, are ya? Can I sit in on that one?
Thrashead: Is this the first time you've been in the U.S.?
Marvin: Yup. Until Now.
Vic: I've been here all my life.
Thrashead: Obviously.
Marvin: Gabba as well... Chaos U.S.A. (LAUGHTER)
Thrashead: Has a US tour been attempted before?
Chaos: Basically, we've attempted to come over to America since 1983, and it was the first time we were supposed to come over, but that fell through. The second time was in 1984, but that fell through. The third time was in 1986, but that fell through, and the last time was in 1988... but that fell through as well.
Thrashead: Visa problems?
Chaos: Private problems, basically. People would get tours set up for us, and when we tell them that we're ready to come over, at the last minute the get cancelled. No reasons... The little promoters were always rude, basically kept silent about the tour and stuff, and at the last minute said, "No, it's finished".
Thrashead: Oh wow...
Chaos: Right. Just weeks before we were to leave, basically. We even got the visa, at one point.
Marvin: As long as Vic was doing it, we would not have had the guys together, won't we?
Chaos: Basically.
Marvin: Just because Vic has joined the band. God bless him... He used to be in Nausea... used to be...
Chaos: But isn't.
Thrashead: How did you hook up with the people from Japan?
Chaos: We didn't really hook up with them... they sort of hooked up with us.
Thrashead: They called you up one day, and asked you to do a tour?
Chaos: Yeah. Sort of... basically.
Gabba: (Screaming from the kitchen) It was Lemmy from Execute... No... Lemmy and Sakevi, from GISM and Execute, used to write to me. I wrote a letter back to Lemmy asking if we can come to Japan and tour. Later, we heard back from the guys from Selfish, Toshi Okamoto, invited us to come over and tour, and Toy Records (Toy Factory Records), which was Jade Music at that time, took us over.
Chaos: What, the first time? (to Gabba)
Gabba: Yeah, the first time. Then the second time it was Toy Records, which is our record label...
Chaos: Japanese record label.
Marvin: That we long since removed.
Thrashead: How many releases did you have in Japan? Because there were things released over there that we cannot get over here.
Chaos: A 12", first released on Selfish, called "Just Mere Slaves". They only released like 2000 of them.
Gabba: It might be re-released on CD.
Thrashead: Really?
Chaos: There's an LP out, on CD, over there... a new one.
Thrashead: Pretty cool?
Chaos: Enough to make you sick. If you can get over there you should be able to get them, but you cannot seem to be able...
Marvin: The live CD's on it.
Katz: Is that the record Steve Slayer Hippy (from Poison Idea) helped mix?
Gabba: No, that's the single, "Headfuck".
Thrashead: We can't get the Japanese stuff here. I have a real hard time looking for them, especially in L.A., but I was lucky enough to find a few of them up in Frisco.
Marvin: That's because you dropped a bomb on them during the war. (LAUGHTER)
Katz: Also because of the exchange rate the dollar is worthless over there, so it ends up being way too expensive to buy.
Chaos: Same in Britain... (Marvin starts farting)
Marvin: An earthquake! (LAUGHTER)
Chaos: The thing about Japanese stuff is, the people we all work with in Japan were always telling us that they were going to distribute the new LP over here in America, but they didn't. It's a case of them saying that they'll do this and that, but they never do it, so I don't know what's happening. The record collectors over there... the unavailability... the value of it, I suppose.
Thrashead: Well, I've seen a few of them in various places around California, but not too many.
Chaos: Which ones?
Thrashead: Let's see... I found "Chipping", the first album, seen "Short Sharp Shock" once, but didn't get it. I also got the live one and the Vinyl Japan one, too.
Katz: Weasel Records put out the "Chipping Sodbury" and the "Short Sharp Shock" albums locally.
Thrashead: I haven't seen either of them.
Chaos: They're around if you want them. You just have to search high and low, basically.
Gabba: Plug the latest one, then...
Chaos: There's a new 12" that came out?
Marvin: Tell them what it's called, and what it's on...
Vic: It's called "Oned Hundred Percent...
All: ...Two Fingers In The Air Punk Rock" (LAUGHER)
Vic: On Slap Up Records, distributed by Revolver... and a new 7" we recorded yesterday, which will be out whenever...
Thrashead: Is Slap Up you label?
Chaos: Yeah. Basically, it's like me and Gabba run it for Revolver, so we can put out all our stuff, and they put the money up front. I'm going to be doing a Dogma Mundista single when we get back, hopefully. Were also working to get other bands on it.
Thrashead: I want to ask you about the history of Chaos U.K., and about all the line-up changes? I'm sure you will go on forever about this one.
Chaos: There hasn't been that many line-up changes, really. It just seems like it because we've been going for such a long time, like 13 or 14 years, not like so many other bands who can change line-ups like four or five times in a year, while we have only had about three or four line-up changes in 13 years. Basically, it started off with me, this guy called Andy, this guy called Simon, and this guy called Potts. We all went to school together. Back about 1979, just when we were leaving school, we started the band.
Thrashead: What happend next?
Chaos: Then Simon left to become a married happy man, with little children... and Andy left to become a happy married man, with little children. We got a few other people to join. Then Gabba joined around... When did you join, Gabba?
Gabba: When you were sent speeding London, on the Crucifix tour. (LAUGHTER)
Marvin: He was a big drug dealer gangster in London... Not!
All: Not! Not! Not!
Marvin: A big pink cadillac... (MORE LAUGHTER)
Chaos: Then we stuck with that line-up for quite awhile, which was me, Mower, Chuck, and Gabba... until 1989, where we had another line-up change again...
Gabba: At which Mower became an alcoholic, and couldn't cope. It was like Darby Crash from the Germs... that was awhat Mower was like in the end.
Chaos: Except he didn't die...
Gabba: He didn't die, but he got to the point where, when the band was playing, he just fuckin' couldn't play.
Chaos: Basically...
Thrashead: And always passed out?
Marvin: What happend then?
Chaos: I took over on vocals, and Gabba got Becky, this girl from Bristol, to play bass. And she was really good, but unfortunately she's got an inherent disease called Chrome's Disease. In the case of the band, the doctor said, "You can go on tour and die, or stay at home and take these tablets".
Marvin: At least she didn't die.
Thrashead: So, is she healthy? Is she doing all right?
Chaos: She's alright as long as she stays at home and takes those tablets, and gets the medical supervision, basically.
Pete: Anyway... then I joined.
Gabba: Then Chuck left because...
Chaos: We did a tour of Europe and Chuck cracked up, basically. For the first time ever... he really flipped. So, I guess he couldn't do it anymore. He was getting a bit too old...
Gabba: Too hippy.
Chaos: Too hippy as well, basically. (LAUGHTER)
Pete: Then we searched around the streets of Bristol, and we found this youngster. (pointing to Marvin)
Marvin: Youngster? I'm older than you!
Pete: We stole young Devilman here from a 60's psychedelic homosexual band. (MORE LAUGHTER) A band called The Sun Tribe. You ever heard of them?
Thrashead: No...
Pete: The Cortinas? He knows them, too... Then Marvin joined... then Vic...
Vic: Forgot all about me...
All: Awww...
Pete: We rescued Vic from the hippy band called Nausea. He only joined them becasue he left a really good punk band. It was a heroin band called Reagan Youth. So, we got him and he's degenerated ever since. He really hit bottom.
Vic: I'm sitting here dribbling... (Marvin farts again)
Pete: That's it baby... that's it... do it!
Thrashead: I'll make sure I print that. (LAIGHTER)
Pete: That's two farts on tape.
Thrashead: Are we up to three, so far?
(Everyone starts getting too silly, so this segment was deleted)
Chaos: Becky had to go, due to the disease, after we toured Ireland. We didn't want to throw her out, but we really had no choice, really. She actually left.
Gabba: She's the only person who got out of the band we still like.
Vic: Luckily, as she was quitting the band, we were passing by this field of sheep... (LAUGHTER) Right behind the fattest sheep we ever seen, skinny little Marvin was ramming away...
Gabba: Ramraider!
Vic: His ass was a blur.
Chaos: So we got him, and this is our present line-up... end of story... Next.
Katz: How do you attribute to the band's longevity?
Chaos: Punk rock!
Marvin: One hundred percent two fingers in the air... plug... plug.
Thrashead: Have the band's goals and ideas change much over the years, or have they remained the same?
Chaos: No, we were young and scared of war then. Basically, scared of nuclear war.
Gabba: And didn't like being locked-up in police cells... and the army wasn't very nice.
Marvin: You didn't like the idea of signing-on, did ya?
Chaos: Probably just didn't pay enough, so he got into punk rock.
Vic: Same shit... different pile.
Marvin: Go on forward, enjoy life, and have a good time.
Gabba: Actually, we can't get any jobs because we're a bunch of losers, so the bands the only thing we can do. (LAUGHTER)
Thrashead: Obviously, you're doing a good job...
Gabba: Yeah, we love doing it, that's the thing. A lot of bands, they just fuckin' do it because the money's too good, and when you look at them while they're on stage and they're fuckin miserable.
Marvin: A lot of bands play to get-off, you know... The last time I saw the Ramones, you know, they just played to get-off and get paid, really... Quite sad.
Vic: We play to get toughed-up... (LAUGHTER)
Chaos: We play to get ripped off.
Marvin: Yeah, ripped off... We play to get ripped off, and get a good laugh out of "promoter chasing". Hunt the promoter!...
(Then they go into a particularly amusing anecdote about one shoddy promoter the band had encountered while on tour.)
Chaos: We're just playing to make the money back.
Marvin: We're selling our backsides...
Vic: Here's a good chunk of it.
Marvin: That's gonna go for crack, little boys, and "Swedish Literature"... (LAUGHTER)
Thrashead: So, what's your favorite "Swedish Literature", Marvin?
Marvin: It's impronouncable in english, really, but a rough guess, it involves farm animals, vaseline, and chocolate eclairs. Can't go any further than that.
Chaos: And young boys.
Marvin: But, I don't read the text because one hand's always too busy. (LAUGHTER)
Vic: My favorite Northern European literature is "Icksy and Mouse"
Marvin: Icksy and Mouse?
Vic: Shaved Icksy and Mouse.
Marvin: Shaved Icksy and Mouse... this is a private homosexual band joke.
Pete: We like the hampster ones as well. (LAUGHTER)
Marvin: Pit Bull Weekly...
(Things degenerate from this point on, so it was deleted)
Thrashead: Despite the obvious financial difficulties, how has the tour been? Have you had fun?
All: Yes, great... totally amazing. Mexico's the best place.
Chaos: We didn't get to spend much time there because we had to go back that same night. We would have like to stay there for a week. The punks of Mexico are crazy. We like it...
Gabba: A lot of them are daft... They just "kill each other".
Chaos: A fight in the pit... just fist-fighting amongst themselves. They seem to enjoy it...
Thrashead: Any incidents while on the road?
Marvin: The van broke...
Gabba: We threw a rod on the way to Chicago, whil going through Ohio. It fuckin' conked-out on the motorway. We barely had any money left. We had just enough money to get to Chicago... There was a guy that came along, and said something like...
All: "Yaw wachi tiya trone" (Don't ask me... It was said with a severe hick accent)
Marvin: My brother can do that.
Vic: Five days and $1500 later we're on our way.
Marvin: We missed Chicago and Detroit, so there was riots at the gig. It was a proper like riot. The Detroit gig ended with baseball bats and pick-axe handles flying everywhere.
Vic: We made it to Minneapolis in time, not to play any of the gigs we had booked, but to play a half-assed party... but too inebriated to play.
Chaos: And that after staying five days in a truck stop, listening to Country & Western...
Pete: Drinking coffee...
Marvin: Watching big, hunky, moist, sweaty men.
Pete: It was like watching "Dukes of Hazard"... .
Gabba: By the time we got to Minneapolis it was "Breakdown City".
Marvin: All you can drink...
Chaos: All you can drink is fuckin' right.
Pete: St. Ides... it was Old English, that one was it?
Marvin: Literally preserved are you? Now you won't become biodegradeable.
Chaos: Due to that little misdemeanor we lost a lot of shows, unfortunately, and that's put us in massive debt... Cost of a new engine... We don't care because we're having a really good time, so the money does not matter.
Thrashead: Any differences between what you have seen in the U.S. compared to what's going on in Europe?
Chaos: Basically, the scene in the U.S. is weird... like going back like ten years. It's like England back to 1983/84.
Marvin: "The Discharge kids"...
Chaos: I'm not slagging it, because I think it's great, you know. As for England, there's nothing...
Vic: It's dead as fuck.
Chaos: There's no scene left... Well, there's a scene there, but it's like a...
Gabba: Every two years it rehashes itself. Like, you'll come up, and everyone just goes after their own thing. The in two years... give it two years, and it will all some back and it will start kicking-up again.
Chaos: Most of the kids in Europe look to America... they all want to be Americans.
Marvin: That's why there's no punk rock in Britain.
Gabba: The American bands killed the English scene by coming, charging too much at the door, and they all wanted too much money.
Marvin: And looking like a bunch of dogs, as well...
Vic: Kind of like the Exploited and G.B.H....
Marvin: Basically, yeah.
Gabba: They killed a lot of the venues. The little venues died out...
Thrashead: The whole Sub Pop thing?
Chaos: American-style hardcore took off in England in a really big way, and eventially destroyed what little was left of the scene there. It's because all the kids, basically, got into this American look.
Gabba: The bands they'll never ever see...
Chaos: They want to play in and American-style band...
Marvin: The t-shirts of the bands they'll never ever see, or ever hope to see, anyway.
Gabba: What's the point of that really.
Chaos: There's like five million American-styled hardcore bands who came out overnight and popped-up everywhere.
Thrashead: Was that like in the late eighties, around the time Napalm Death started to become popular?
Chaos: That's it, basically.
Gabba: About 1985 and onwards, was when they discovered Slayer and Anthrax.
Chaos: It was about 1985 when it started, and it has since gone downhill from there.
Gabba: It got worse and worse, to the situation it is now. Now we got everyone into fuckin' "grunge" and the "Seattle thing", which is even worse!
Chaos: It might be dead by the time we get back...
Marvin: Definately.
Gabba: I feel sorry for them bands... The media builds them up, the fuckin' ditches them. Like, they give them a bad name after.
Marvin: So awful for them, god bless them.
Chaos: It's really easy to be ina band to slag, to be offered a lot of money, a big tour, and say, "Yeah, I'll do it", especially in England, where they got this thiug where most of the music press, and the music business, will take a "band from nowhere" to just build up, make everyone buy their albums, and make everyone be into them... The next thing you know... BLAM!... they're gone.
Thrashead: It's kind of weird, to hear stories of the way the music press builds these bands up to stardom...
Chaos: Only to slag them off...
Thrashead: Nirvana was one of them. Then the Americans took it back to make it bigger and worse.
Chaos: It's like a typical American, who are always looking to England for something to buy. It happens all the time.
Vic: The whole time I was in England, Nirvana was like starting to be cut down... it was like, "NIRVANA IS JUNKIES"... and all the rumours and shit about them. They spent six months building them up, like they're the best thing since WARM SHIT, and in the next six months after that they just cut them down, and cut them down... and all the while, a few pages back , there's the new batch of bands that they are building up.
Marvin: It's a conveyor belt, isn't it?
Gabba: It's not relevant to punk rock, really. They did it years ago with all the early bands, like the Exploited and G.B.H....
Chaos: They got away with it with a few bands... The Oi! thing is a perfect example.
Marvin: Just some silly catagory...
Gabba: Gary Bushell... he writes for the Sun now.
Thrashead: He writes for the Sun? I thought he was with Sounds.
Vic: Now he writes television reviews... (LAUGHTER)
Chaos: He stopped writing for the Sun... he does T.V. reviews.
Gabba: During the war he was saying, "You lads in the Gulf are fuckin' dirt, you're a bastard..."
Thrashead: He was huge back in the 80's, too.
Chaos: I was watching this T.V. breakfast program, one morning... He came on and he was doing a review on some film, and he sat there in his suit and shit. This is irrelevent, really... The funny thing was that he was doing an interview with these English T.V. personalities, and they asked him a question about what he thought of this movie... He turned around on this program, and said something like, "Reminds me of the days when I was travelling with this band, Angelic Upstarts...". (LAUGHTER) What was he talking about?... He's a sad old man, basically.
Vic: At one time, he was a sad young man... that's all.
Thrashead: He really made a lot from pushing Oi! stuff...
Vic: And killed it all in the process.
Marvin: Oh, yeah. A good thing, I think.
Chaos: It's a good example of "the bandwagon", you know. It's what happens when people jump for punk rock fame. He was just one of those people...
Thrashead: He even put a label on it, too.
Vic: A lot of bands that didn't even deserve the label got that label put on them.
Chaos: Exactly.
Marvin: I remember the Bad Brains were called "Rasta-Oi!"... He called them "Rasta-Oi!"!
Vic: "Rasta-Oi!"?
Marvin: Yeah, he used to call them "Rasta-Oi!"... Can you fuckin' believe it? Silly cockney twit... (LAUGHTER)
Gabba: There was a scene of bands that were aroung before the Oi! tag, and bands that wanted to be thrown under the Oi! tag. Most of them didn't complain about it.
Marvin: They used to play up to the press all the time.
Chaos: Now, they're probably changing their tune... them saying that they didn't want to be...
Vic: "We're not skinheads".
Chaos: At the time, if you go under the Oi! tag you can get like the front page cover of the NME or Sounds, and they'll write fuckin' lame articles on you, which were like, "Yeah, great!". All these bands jumped on this bandwagon, which we never did. Because we never fuckin' went for it, they started slagging us to shit... us and Disorder... We, at the same time, just turned around and said, "No, this is fuckin' bollucks! Can't you see what's happening under your very noses? It's fuckin' destroying the scene! It's fucking things up." Because of our reaction they fuckin' hated our guts. It just goes to prove the point that we're still here and we're still going. Look at thpse fuckers... where are they?
Thrashead: Disorder are still going, too. They got something new coming out.
Katz: A split album with Mushroom Attack.
Chaos: I suppose you can say that they're still going.
Vic: They're still standing...
Chaos: They're still standing and when they're not standing they are laying down.
Marvin: Also the Mob have reformed, as well as Rudimentary... uh...
All: Rudimentary... uh... (LAUGHTER)
Marvin: (only joking) What do you call them?... fast band... couldn't draw...
Thrashead: Where's Cake when you need him...
Katz: They played a gig a month ago in Bristol.
Marvin: We didn't know that.
Gabba: This is just Chaos U.K. talking about punks in general.
All: Punks, in general...
Marvin: We can write our own column, actually.
Vic: Let's see, who else can we destroy?
Gabba: There was a good band from New York called Nausea... (LAUGHTER)
Chaos: Thnk of any people you want to destroy? (asks bands)
Marvin: No, we destroyed them all.
Chaos: Next question!
Thrashead: Have the bands' politics changed that much?
Marvin: Yeah, it has gone completely fascist. (LAUGHTER)
Chaos: Not really. It's just that we don't write about it so much anymore. We've basically run it into the ground, you know. We tend to also go and have a good time and laugh, basically, these days. The politics still there...
Pete: Keep the politics and have a good time.
Gabba: Everybody knows what are politics are...
Chaos: By now, a lot of people know what our politics are.
Vic: Fuck it to shreds! We'll do songs about cider and violence. (MORE LAUGHTER)
Chaos: A lot of songs we write are still very political, while at the same time we mix in "drink and a good time" songs, as well.
Vic: It's not dogmatic. Never been dogmatic, which is an easy trap to fall into.
Chaos: That's exactly what I was going to say... It's really easy to corrupt the political thing, and it's real easy to get corrupted on the other side, the Peter and the Test Tube thing, where you can just be a fuckin' "drunk yobbo band", or like a fuckin' big "right-on anarchy" band.
Vic: Stradle the fence I always say.
Thrashead: Any favorite bands?
Marvin: Nausea, Extreme Noise Terror, Napalm Death...
Thrashead: What bands that you've played with, on tour, that have really impressed you?
Chaos: I think the best band I've seen on tour so far, on this tour, was Hellspawn. They fuckin' rocked the fuckin' pants off me. It's been a long time since I've seen a band that I really enjoyed.
Marvin: I like Misery... I'll tell you, they're good. There was also another fuckin' great band... Buzz-Oven... they were fuckin' great.
Chaos: They were a fuckin' shit-all band.
Marvin: What other bands we played with?
Pete: Dogma Mundista! (shouting from the other side of the room)
Chaos: Got to say nice things about them... we're staying in their house, at the moment. (LAUGHTER)
Gabba: We was to play with Johnny-Moped, but he couldn't come over and tour with us.
Thrashead: Johnny Moped... is he still around?
All: Yeah, really.
Pete: That he sure is.
Thrashead: I've heard that Wreckless Eric, and a bunch of others, are all still around.
Marvin: A whole bunch reformed...
Gabba: I play in the Lurkers.
Thrashead: Really?!
(The tape ended, without us noticing it, so a good chunk of the interview was deleted...)
Vic: As I was saying... Don't you know that Nirvana bought back punk?
Marvin: That's why X-ray Spex are now doing it.
Thrashead: So, X-ray Spex did get back together? I heard it never happend.
Vic: It's just Poly Styrene and four Krishna people.
Thrashead: So, it's not the original line-up then.
Gabba: It's the same with all them bands, like Peter and the Test Tube Babies, Anti Nowhere League, Blitz...
Thrashead: I know Blitz were back together.
Gabba: I play in the Lurkers as well...
Chaos: Cock Sparrer, Blood, Adicts, Adicts, Stiff Little Fingers...
Marvin: Stiff Little Fingers reformed for a gig for lots of money. The Subhumans did that, too, about two years ago, because the guitarist needed the money. I went to see the Anti Nowhere League, and it was sad as fuck. It was a bunch of old men getting up there for half an hour, and getting paid for fucking around.
Vic: So, we're a bunch of old men getting up there for half an hour, not getting paid... (LAUGHTER)
Marvin: Very, very true... They have no interest in the punk scene at all, and none of them see it either.
Thrashead: They're riding on their old fame.
Vic: Anti Nowhere League were always a manufactured band, anyway.
Marvin: They were the saddest bunch of crap I've ever seen in my life. At least when X-ray Spex played they were good. Do you know what I mean? The Lurkers were the only band on the bill, that I've seen, that were any good. That was the Lurkers...
Vic: They never quit... and have young Bob over here. (points to Gabba)
Chaos: They seem to be the only band, from that era, that had kept it together.
Thrashead: They never broke up?
Chaos: They just release records in Germany, now, and they do big tours over there.
Thrashead: Maybe they'll come out here.
Gabba: We're gonna come over, like this year... We'll some out and do the West Coast.
Thrashead: When exactly would that be?
Marvin: After his mother have a cake stand at the local faire... (LAUGHTER)
Gabba: I don't know what's happening with the band... I think I've left the band now, anyway. (MORE LAUGHTER)
Chaos: They wanted him to tour with them in Europe, but he told them that he would be touring with Chaos U.K.
Marvin: Tell us about the story of how you lost your voice in Germany?.. He dissapeared into a doggy-dive and came out with no voice. (LAUGHTER)
Chaos: In Hamburg, the city of sin.
Marvin: Reduced to a whisper...
Gabba: He went around wanking until there was nothing but air coming out in the end. (MORE LAUGHTER)
Thrashead: Anything else we need to know?
Vic: Did we mention that Chris Andrea is a complete and udder fraud.
Thrashead: Explain "Farmyard Boogie"?
Gabba: It basically started out as a Killing Joke-style song.
Chaos: In the studio, the first time, it was going to be a serious Killing Joke-type song, but we all got pissed and it deteriorated into a fuckin' pile of shit, which has stuck with us for the last thirteen fuckin' years, basically.
Gabba: And we plan on doing a new version.
Vic: The absolute last one.
Chaos: Or is it?
Vic: It is, because I won't play on it.
Pete: I ain't gonna do the reggae one, then.
Thrashead: Reggae? (LAUGHTER)
Chaos: We'll do the reggae track first.
Marvin: A dub reggae version.
Thrashead: Let's see... I know that the first version was on the first album, then you had the "Extended Disco Mega-Mix" on the "Short Sharp Shock" album.
Gabba: The live version on the "Just Mere Slaves" 12".
Thrashead: The "Cider House" one on "Chipping Sodbury"...
Vic: Then we have "Fartyard Boogie" on "One Hundred Percent Two Finger in The Air Punk Rock".
Gabba: Then, on the split LP "The Death of Farmyard Boogie", which is like the starting first few chords.
Katz: How about the thrash version on the live CD, from Japan?
Gabba: Yeah, the fast version...
Vic: The split with Raw Noise, which is the "Benny Hill Drunk Again" version. (LAUGHTER)
Chaos: Then we got "Farmyard" on the 1986 live version, where he's (Mower) completely drunk and pissed out of his head, with twenty pints of cider in him singing, "Bwabwabwabwa" (drunken noises).
Marvin: It's the only fuckin' way to play that song, really.
Gabba: The idea for "Farmyard Boogie" originated from The Wurzels, a folk band.
Marvin: That we stole from, and based out careers on it.
Chaos: We created punk rock on The Wurzels.
Gabba: Who are basically a drunken version of us, playing folk music.
Thrashead: Are you giong to do a tribute album?
All: Yeah.
Gabba: Actually, we were thinking of doing all the Wurzels' songs as punk songs.
Marvin: The Wurzels were the Germs of their generation. (LAUGHTER)
Chaos: It's true... they died similarly. He drank three gallons of cider, drove his M.G., and crashed. Darby Crash actually copied him.
Thrashead: What are some of the plans you have, after the tour?
Chaos: Get fuckin' drunk in English pubs. (LAUGHTER)
Thrashead: Besides that...
All: Get drunk in English pubs. That's all...
Vic: Pass out.
Gabba: We're going to organize another tour of Europe.
Chaos: We might do another tour of Japan.
Marvin: Not again...
Chaos: There's going to be a lot more touring when we get back.
Thrashead: Any new future releases?
Vic: A new 7" we just recorded yesterday. It should be out as soon as I get my shit together to put it out in this country.
Gabba: Anybody that's been in Reagan Youth can never get their shit together, really. (LAUGHTER)
Marvin: Reagan Youth? They still owe you money, sucker.
Vic: They do...
Marvin: Is it an unwritten rule in your life, that any band you join rips you off blind, is it?
Vic: Yeah, that's the way... traditional.
Thrashead: Do you think you'll be doing this in ten years?
Chaos: Probably...
Vic: I'm not sitting here thinking about ten years from now, I'm thinking about this afternoon, you know...
Marvin: It's gotten past the phase you can tell, really.
Chaos: You're going to have to grab a proper job, and sooner or later it will definately grab you.
Vic: I'm 29, and I'm like beyond redemption now. I'm fucked up, youknow?...
Gabba: Yeah, too late...
Marvin: No going back...
Vic: It's like, even if I wanted to be like a fuckin' totally average, upstanding person, I couldn't, because I fucked up already...
Thrashead: Did you consider it fucking up when you made the choice?
Vic: Put it this was... I could say that I hate punk rock, because it ruined my life, but at the same time I don't know what the fuck I'd be doing, otherwise. I probably wouldn't be happy doing it. At least I'm having a good laugh doing this, and travelling around the world, on top of it.
Chaos: It's like that old cliche, "Punk is a way of life", which this is definately fuckn' it, I'll tell you.
Marvin: "Spunk is a way of life". That's the other side of the band we don't want to go into... the seedier side.
Thrashead: Any last comments?
Vic: Aww... all ready?
Chaos: Anybody out there prepared to offer us another big tour, big promoters, big tour, lots of money, you know...
Vic: Big gorilla-like bouncers that don't do anything but watch the band, and beat people up that are standing there doing nothing.
Chaos: Hot tubs, jacuzzue, saunas...
Vic: Big long-sleeve tour shirts, with all the tour dates on the back.
Chaos: Shorts, boots...
All: Stab is a fraud.
Thrashead: That's it.

 

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